Carol McGorry

Headlands Center for the Arts, Marin CA

carolmcgorry — Sun, 31 Jul 2011 16:09:11 +0000

I’ve been out West this month . . . working on writing and shooting Kodak Portra 400. I won’t see the image results until I get back next week and develop the negatives, but I did make some iPhone captures. These color abstractions are a confluence of late afternoon, California light and quarter-inch, steel partitions in the former Fort Barry latrine . . . now Headlands Center for the Arts. I was otherwise at the center’s open house with a writing group led by poet Genine Lentine but learned later that the partitions were just one of the design elements added to the space in Bruce Tomb and John Randolph’s, Latrine Project, www.headlands.org/commissions.asp?key=209&pubkey=13

Filed under: Uncategorized Tagged: Headlands Center for the Arts, iphone photography, The Latrine Project

LOMO Spinner Test Shot

carolmcgorry — Wed, 06 Jul 2011 21:00:31 +0000

interesting….

Filed under: photography Tagged: lomo, portra 400 kodak, spinner, white rocks vermont

Testing New Directions

carolmcgorry — Mon, 27 Jun 2011 19:44:15 +0000

Just got back from Rochester NY with an exciting visit to the George Eastman House. I made this new “test” artwork while in Rochester and just finished processing and working on the file with Stephen Schaub at Indian Hill Imageworks. I leave for San Francisco this Friday and plan on exploring further these new visual qualities while exploring the city.

Filed under: photography Tagged: eastman house artwork, indian hill imageworks, pinhole color negative, pinhole process

Following the Sun

carolmcgorry — Wed, 09 Feb 2011 01:58:54 +0000

In Vermont….driving along Pawlet Road to catch the last of a day’s light falling above the woods.

Filed under: photography

Making toward Something

carolmcgorry — Tue, 01 Feb 2011 20:58:00 +0000

Shot these cattails backlit by the late afternoon light last week, hiking along a trail in Vermont. I was surprised by the light….had my head down at the time, making my way back over a 2×4 “boardwalk” over Paran Creek. But back in the studio, there’s more…what was I sensing when I stopped for the shot? And how do I get that cold and silence into the image? How do I bring this print home and make it about more than just the thing?

Filed under: photography

Cooking Freak Open House

carolmcgorry — Thu, 09 Dec 2010 02:49:01 +0000

Saturday, December 11th, noon to 4!

Shop local….stop by this Saturday at Carol Moore’s Cooking Studio in Bayport where I’ll be joining local artisans for a holiday sale. Carol (aka the “Cooking Freak”) will be featuring her new, honey-lavender shortbread, and I’ll showcase new work from Indian Hill Vermont as well as Shetland prints treated with encaustic medium. Meet artisans Kathy Seff (glass works), Ellen Cremer (Knit and Felt-ware), Sorella Design (Bridge Winery and plants in hand-painted pots), and Adrienne Lojeck (custom designed hula hoops). Hope to see you………www.cookingfreak.net.

Filed under: announcement, mixed media, photography

A New Direction?

carolmcgorry — Mon, 02 Aug 2010 23:45:46 +0000

Something new…

Filed under: photography

Limited Editions at Special Exhibit Pricing

carolmcgorry — Tue, 11 May 2010 12:51:42 +0000

At the Spring Open House weekend at Studio 239, several of my remaining limited edition, framed prints will be offered at special exhibition prices. To view a sample selection, click on my page “Special Exhibition Pricing.” Hope to see you then….if you need directions, please email me–see contact page.

Filed under: announcement

Light Writing

carolmcgorry — Thu, 29 Apr 2010 14:16:17 +0000

Click to view slideshow.

Preview of works Exhibited at Studio 239

Open House Weekend, May 21-23, 2010

Some of the allure of memory is that its imagery is just beyond our grasp; we get only hints and suggestions of detail, of space, of color. The pinhole camera uniquely captures this pleasure, this sense of the eerie—precision eluding the viewer but the subjects, the color and light pull from what we felt was once seen.

These images of the Southern Vermont woods are made with a layering of technique. They are first captured on film with a pinhole camera in 3 to 4-second, handheld exposures. The negatives are then scanned to a digital file and printed in both negative and positive formats on Fabriano Artistico papers. The texture of the Fabriano paper adds a sculptural quality—a depth as the light reflects more diffusely on the surface.

Experience the works up close:

- May 21-23, 2010 at Studio 239, Bayport, NY. Open House Weekend. Friday 6-9pm, Saturday & Sunday 10-3pm

- June 4, 2010 at First Friday, Philadelphia, PA. Friday 5-9 pm…Old City art district, see http://www.oldcityarts.org/start.html.

Note: For a discussion on the complexity of images, words, and music over time, see: www.philoctetes.org/Past_Programs/The_Lure_and_Blur_of_the_Real.

Have you ever tried Pinhole Photography? Would love to hear your comments and thoughts…

Filed under: announcement, photography, Uncategorized Tagged: handheld pinhole photography, Southern Vermont

Track and Field

carolmcgorry — Sun, 11 Apr 2010 00:21:59 +0000

At the Virginia Center for Creative Arts this winter, eleven inches of snow fell the first weekend of my month’s stay and eight more the next. We worked a boot path in the snow, from the dorms to the studios in what we remembered of the walk underneath. This print is of the view along that path, the blurred lines of sodden pine boughs and snowdrifts swept with the wind.

Below is one of the handheld, pinhole images of a wooden sculpture that I first worked up quickly at VCCA. I later scanned the negatives for detail and toned them brown. This image is 10 inches square, printed at Indian Hill Imageworks on Fabriano Artistico–14 x 17-inches.

Next Week: Color, Color, Color in Vermont

Filed under: photography, Uncategorized Tagged: handheld pinhole photography